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Results 1 - 15 of 182 for "glyph C"
Key:  MNC 10-3240
Actual Location:  National Museum of Cultures, Mexico City, Mexico (warehouse).
Collection:  Fernando Sologuren #508
Registration:  10-3240 (number written on the piece).
Provenance:  Mound 5, tomb A (on the roof of the structure), Xoxocotlán, Oaxaca (Sologuren's excavation 1886).
Measurements:  tapa: 28 cm.; base: 19 cm. (47 cm. total)
Color:  Grey clay; the two ears of corn in the headdress are painted in red.
Chronology:  Xoo 600 - 800 AD
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Reference:  Seler's watercolor, 1888; Peñafiel 1893: 53; C.B. Waite, circa 1901, AGN, Mexico; Bauer's photo circa 1900, in König and Kröfges 2001: 131; Seler [1904]1960: 338, fig. 61 (black and white copy of the watercolor); Martínez Gracida 1910: plate 82
Comments:  According to Martínez Gracida, four of these pieces were found as "merlons" on the tomb's roof. The drawing presented is based on a photo published by Peñafiel (1893: 53). In their work "Urns of Oaxaca", Caso and Bernal (1952: 17, fig. 1) presented the lid with the wrong box. The matching box must be the piece on page 45, fig. 59, of the same work (MNA 6-791). It is worth mentioning that there is a box exhibited at the National Anthropology Museum, under catalog number 6-6956 (INAH 10-522684), which is identical to the box of a piece at the National Museum of Cultures and which must be part of this series of objects.
Glyphs:  Glyph C in the headdress flanked by two ears of corn.

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Key:  MNA 6-7891
Actual Location:  National Anthropology Museum, Mexico City, Mexico (exhibited).
Registration:  6-7891 / INAH 10-228149
Provenance:  Unknown
Measurements:  60 x 35 x 40 cm.
Color:  Brown clay with traces of red paint in the face and hands.
Chronology:  Peche 500 - 600 AD
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Reference:  Exhibition at San Ildefonso, Mexico City: Fragments of the Past, 1999; Oaxaca: Magie van Mexico 1993: fig. 12.
Comments:  There is another piece, identical to this one, in a private collection in California. See KAISER 1.
Glyphs:  Glyph C in the headdress.

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Key:  KAISER 1
Actual Location:  Berkeley, California, United States.
Collection:  Dr. William F. Kaiser
Provenance:  Unknown
Measurements:  66 cm.
Color:  Brown clay.
Chronology:  Peche 500 - 600 AD
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Reference:  Pre-Columbian Art of Mexico and Central America,1968: fig. 238.
Comments:  This piece is identical to piece MNA 6-7891 and is probably its counterpart. Some details are missing, such as part of the ear piece, a canine tooth in the mouth and the elements coming out of the pot. This piece's headdress is more complete.
Glyphs:  Glyph C in the headdress.

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Key:  MNA 6-6067
Actual Location:  National Anthropology Museum, Mexico City, Mexico (exhibited).
Collection:  Guillermo Dupaix; Fausto de Elhúyar?; Sánchez and Mora (former Count of Peñasco).
Registration:  138 (old number of Sánchez & Mora?) / 6-6067 / INAH 10-3292
Provenance:  Zaachila, Oaxaca.
Measurements:  55 x 32 cm.
Color:  Sandy stone, almost white. Traces of red pigment.
Chronology:  Pitao 350 - 500 AD
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Reference:  Dupaix [1805-7]1978: plate 72; Drawing by Franck 1827: plate 14; Mayer 1844: 279; Easby & Scott 1970: fig. 158; Solis 1991: 161, fig. 237; López Austin 1995: 133, fig. 138.
Comments:  This piece is made of stone. Guillermo Dupaix found the object in the cemetery, near the curacy of Zaachila, but few have reported this information. The card of the National Anthropology Museum, where the piece is exhibited, says that it comes from Tututepec, Oaxaca. Several authors and catalogs maintain that it comes from Monte Albán (cf. López Austin 1995: 133; Solis 1991: 161, fig. 237).
Glyphs:  Glyph C in the headdress flanked by two ears of corn.

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Key:  MNA 6-2289
Actual Location:  National Anthropology Museum, Mexico City, Mexico.
Registration:  6-2289; 6-2290; 6-2291; 6-2292; 6-2293; 6-2294
Provenance:  Tomb 40, No. 3, Monte Albán, Oaxaca.
Measurements:  32 cm.
Color:  Grey clay
Chronology:  Xoo 600 - 800 AD
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Reference:  Caso and Bernal 1952: 92, fig. 152, a & b; Eubanks 1999: 106-108, fig. 84.
Comments:  Five pieces like this one were found, all identical and as part of a series. Tomb 40 was excavated by Caso in the period PMA III (1933-1934) and in the date MA IIIB-IV.
Glyphs:  Glyph C in the headdress flanked by two ears of corn.

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Key:  MNA 6-6592
Actual Location:  National Anthropology Museum, Mexico City, Mexico (warehouse).
Registration:  "piece 4 / 6-6592"
Provenance:  Unknown
Measurements:  52 cm.
Chronology:  Tani 200 - 350 AD
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Reference:  Caso and Bernal 1952: 34, fig. 34.
Comments:  Caso and Bernal maintain that there is a glyph in the headdress with three numerals, but they cannot be seen in the drawing presented by them. I have had the opportunity of seeing this piece in the warehouse of the National Anthropology Museum and can confirm the coefficients engraved in the middle of the glyph.
Glyphs:  Glyph 3 L in the headdress under a glyph C.

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Key:  MNA 6-713
Actual Location:  National Anthropology Museum, Mexico City, Mexico.
Registration:  6-713
Provenance:  Unknown
Measurements:  31 cm.
Chronology:  Xoo 600 - 800 AD
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Reference:  Caso and Bernal 1952: 243, fig. 388.
Comments:  A piece is missing, probably a bag of incense. The rope can be seen in their hands and this is a typical posture for holding the bag.
Glyphs:  Glyph E in the headdress. Glyph E superimposed on glyph C. In the upper part of glyph C, a jaguar's head.

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Key:  MNA 6-7400
Actual Location:  National Anthropology Museum, Mexico City, Mexico (exhibited).
Collection:  Fernando Sologuren
Registration:  6-00
Provenance:  Unknown
Color:  Grey clay with beige.
Chronology:  Peche 500 - 600 AD
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Comments:  This piece appears in a photograph of the Sologuren Collection, in the Seler file of the Ibero-American Institute in Berlin, Germany.
Glyphs:  Glyph C in the headdress.

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Key:  MCO 2862
Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited).
Registration:  2862
Provenance:  In front of the entrance to tomb 7, Monte Albán, Oaxaca.
Measurements:  aprox. 60 cm.
Color:  Grey clay.
Chronology:  Xoo 600 - 800 AD
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Reference:  Caso 1932a: 19-20, fig. 32; Caso, 1932b: 466-467; Caso 1969: 43; Caso & Bernal 1952: 44, figs. a, b, c; Bernal 1979: 144, fig. 52.
Comments:  This piece was found with another equal piece flanking a central piece. Caso and Bernal (1952: 46) identified them as Cocijos ("clearly identified as Gods of Corn"). Tomb 7 was excavated by Caso during the first PMA I period (1931-1932). The three pieces were found broken and, according to Caso, the position of the fragments demonstrated that the break had been intentional and that, after doing this, the pieces had been buried (Caso 1932a: 20).
Glyphs:  Glyph C in the headdress flanked by two ears of corn.

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Key:  MCO 1347
Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited).
Collection:  INAH 10-104317 / cm.ROA 1347 / 6-727 / 6-219
Registration:  6-723;6-724; 6-726; 6-727
Provenance:  Tomb 1, mound 7, Xoxocotlán, Oaxaca.
Measurements:  52 x 32 cm.
Chronology:  Xoo 600 - 800 A.C.
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Reference:  Saville 1899: 355-356 and plate 22; Caso 1927: fig. 6 (two pieces); Galindo & Villa 1905: 18 (fragment of a head); Caso & Bernal 1952: 17, fig. 2; Winter 1994b: 54. plate 13.
Comments:  This piece is part of a series of four that accompanied a central effigy vessel. The piece drawn has been reconstructed. Two of these pieces are at the American Museum of Natural History, but the location of the fourth piece is unknown. For the central piece, see MNA 6-6221.
Glyphs:  Glyph C in the headdress.

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Key:  MCO 587546
Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited).
Registration:  587546
Provenance:  Unknown
Measurements:  45 x 27 cm.
Color:  Beige clay
Chronology:  Pitao 350 - 500 AD
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Comments:  This human figure is wearing a reptile mask.
Glyphs:  Glyph C in the headdress.

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Key:  MCO 0116
Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited).
Registration:  Cat. 0116
Provenance:  Tomaltepec, Oaxaca.
Measurements:  aprox. 20 cm.
Color:  Grey clay.
Chronology:  Pe 300 - 100 BC
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Reference:  Whalen 1981; Urcid 1992: vol. II, 404 (glyph); Marcus & Flannery 1996: 169.
Comments:  This piece's face seems to represent glyph U. There might be a glyph C in the headdress or an early variation of the glyph for "cane" with two numerals. Object was excavated by Michael E. Whalen.
Glyphs:  Glyph 2 C in the headdress. Early variation.

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Key:  SLAM 380:1978
Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States.
Collection:  Everett Rassiga; Morton D. May.
Registration:  380:1978 / former loan number 1966.563
Provenance:  Unknown
Measurements:  62.5 cm.
Color:  Dark grey clay with traces of red pigment.
Chronology:  MA IIIB (Parsons 1980: 146); Peche 500 - 600 AD
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Reference:  Photo from Shaplin's files; Parsons 1980: 146, fig. 224.
Comments:  According to Shaplin it was restored at the American Museum of Natural History.
Glyphs:  Glyph C in the headdress.
Dating:  Shaplin and Zimmerman 1978, TL no. 121 (authentic).

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Key:  SLAM 133:1980
Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States.
Collection:  Valetta Malinowska; Morton D. May
Registration:  133:1980 / former loan number 1972.513
Provenance:  Unknown
Measurements:  44 cm.
Color:  Grey clay with traces of red, yello and white pigments.
Chronology:  MA IIIA (Parsons 1980: 142); Pitao 350 - 500 AD
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Reference:  Photo from Shaplin's files; Parsons 1980:142, fig. 215.
Comments:  On both sides of glyph C, in the headdress, two quetzal birds, placed upside down, can be seen.
Glyphs:  Glyph Ñ represented by the volutes around the eyes. Glyph C in the headdress.
Dating:  Shaplin and Zimmerman 1978, TL no. 124 (authentic).

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Key:  SLAM 176:1979
Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States.
Collection:  Everett Rassiga; Morton D. May.
Registration:  176:1979 / former loan number 1970.729
Provenance:  Unknown
Measurements:  32.5 cm.
Color:  Gray clay with traces of red pigment.
Chronology:  MA IIIA (Parsons 1980: 143); MA IIIB-IV (Winter 1994a: 149); Pitao 350 - 500 AD
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Reference:  Photo from Shaplin's files; Parsons 1980: 143, fig. 217; Winter 1994a: 149.
Comments:  Representation of Cocijo. The piece's back is engraved with two shapes of "Os" and incised lines.
Glyphs:  Glyph C in the headdress.
Dating:  Shaplin and Zimmerman, 1978, TL no. 13 (320 rads, authentic).

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